“The Fallacy of Feminism in Rock” by Margot Mifflin, Keyboard (April, 1990).

From London to Los Angeles, from the pages of New Musical Express to Rolling Stone, women have been writing about rock and pop music for more than 30 years. Rock She Wrote collects the best of women’s writing on music from the 1960s to the present, from the days when women were only tolerated as screaming groupies behind the scenes to the day they took center stage as performers and critics in their own right. These vibrant, subversive, irreverent and often brilliant voices on the music of then and now…

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